The Manchester Wheelers

About the Book: 

The secret story of the Twisted Wheel Club Manchester: where Northern Soul began.

This book is very different from anything that has been written about this scene before: focusing upon the amphetamine drug culture that fuelled the All-nighters.

It describes what went on and what it was really like to belong to an underground youth movement based on Mod culture that evolved into the 100% Soul Mod scene in the City. In fact based at two clubs, the other one was the Blue Note Club that initially had the legendary ex-Twisted Wheel D.J. Roger Eagle as its formative musical director.

The book is in the format of a novel, and tells it like it really was!

If you want to know what it was really like at the ‘epicentre‘ of the Mod Soul movement that began the phenomenon of Northern Soul: read The Manchester Wheelers.

Sample Chapter

Sample Chapter: 

CHAPTER ONE 

 

Meeting at the Wimpy

 

 

Saturday night in Manchester, 1967: the Soul Mods needed to take their Amphetamines – the ‘Gear’– and gather at the Wimpy bar before going to the Twisted Wheel All-nighter. Pill pushers needed to have their supplies ready. The story is narrated by Dave. There were numerous Daves who were Soul Mods in the city;

 

‘You ain’t been nowhere till you’ve been in with the In Crowd’
                                                                                                         - Dobie Gray

  

 

Manchester’s buildings were black, everywhere you looked, all the buildings on every street - black. When it rained, it would come tipping down. Consequently the rain provided an additional tone and turned the buildings into a mixture of wet-look blacks and greys of all shades. If you looked closely, a dirty black mist floated on the water outlined with an inner greyness, a wet sliding paisley pattern with disgorged black sooty edges moving like amoeba riding on the water’s surface and sliding down the walls. Drizzling rain collected, then poured out of high roof gutters and down the black bricks, making the walls shine; rivers that flowed vertically down, eventually to sharply change direction and pour across the street. Wide, flat, single-dimension rivers that rushed over the blackened grey pavements, running around white chewing gum islands and onwards into the black tarmac road, where the rain turned into rivulets, racing off to find a tumbling gutter of rushing dirty water with floating dog ends, all gushing into a swollen grid.

 

I doubted anyone noticed these things because it was simply the way things were. Things we see often fade into our unconscious; being so obvious they get downgraded to an almost invisible background to our daily lives. I was noticing these things, and acutely so, because I had slipped into a different mode of consciousness brought about by consumption of a handful of pills. They adjusted my perception; I was becoming more awake than wide-awake. It was one of the first noticeable signs of their effect.

 

Manchester was black due to the years of industrial revolution; decade upon decade of soot had coated all the bricks and stonework. As a result the walls of the buildings, if you bothered to look, were black sooty velvet when dry and a wet-look black leather effect in the rain. Hundreds of mill chimneys joined thousands upon thousands of rooftop chimneys from row upon row of terraced houses all belching out black, white and grey smoke.

 

The opening titles of the TV Soap Opera from Manchester had got it right: ‘Coronation Street’. It was a black and white film set. Films were made about the North, some set in Manchester. Films like ‘Billy Liar’, where Julie Christie looked like she was walking across Piccadilly Gardens, but it was actually Bradford. ‘A Taste Of Honey’ with Rita Tushingham and Dora Bryan on the bus passing blackened statues in Albert Square, St Ann’s Square and Piccadilly. Later there was ‘Charlie Bubbles’, although this was in colour; it showed the demolition of row after row of the old Manchester terraced housing, with swinging balls of steel hung from cranes crashing into the walls, the entire scene becoming enveloped in dust.

 

A common sight was half the street in ruins, while the other half was perfectly intact and being cared for; painted red, brick by brick; here and there a red Geranium in a pot and all the steps yellow donkey-stoned. Mums running, hanging the washing out to dry after the dust had cleared, from around the last demolished house opposite: clearing and emerging like a ghostly apparition from the smog generated by the collapsed house it now became possible to see lady’s hanging out their washing on the once obscured back street. Manchester Mums with their hair in rollers inside a turban scarf – they would wear their patterned pinafore overalls, and keep up their standards in the midst of the intermittent grey dust storms set off by demolition and dampened down by the rain showers Manchester was famous for.

 

It seemed depressing; it looked like it was ‘Grim Up North’, but it was far from that. The soul of the city was the underground Mod Soul scene, ironically with its black American music. Soul was black ­– well, mainly black; our city was black, and so was the music that the clubs blared out in dark underground cellars. However, the music and ‘our’ scene gave us a set of colourful, bright and enthusiastic reasons for Mod Mancunians to get excited about their city.

 

After riding down town and parking my scooter outside the Wimpy Bar near Piccadilly, I walked through the drizzling rain just to stretch my legs. And as I walked, I remembered other days and times past.

 

Tuesday and Thursday nights we would go training and racing on the Fallowfield Cycling track; it was a velodrome, known to us as the Toast Rack due to the shape of the roof profile on an adjacent building. Reg Harris was still racing, but that night he just gave the prizes out. I was no prize-winner – I’d crashed out, falling through the bunch on the highest part of the track.

 

A few Blueys sorted out the pain and after the prize ceremony we planned to go dancing at the Twisted Wheel. Our cycling club, the Prestwich Olympic, was joined by our mates from the Manchester Domino, and others from the Manchester Wheelers. In the end about fifty of us went down to the club in Brazennose Street just off Albert Square where the majestic Town Hall towered above us in all its blackened Gothic glory.

 

We chained all our bikes together outside the double white doors and went dancing in the club. This was the Twisted Wheel, it was 1963, and it was known as a Beat club.

 

We streamed downstairs to dance in our cotton racing vest tops and cut-off padded gloves. Our frayed-end bell-bottom denim jeans had been recently released from our metal cycling clips, and we were clinking about in our cycling shoes with the metal pedal grips underneath. If you could have heard the metal plates under our shoes tapping the concrete floor it would have been like a tap dance, but no one could; the speakers had drowned it out with Howlin’ Wolf’s ‘Smokestack Lightning’. That had been when the Wheel was in its early music mixture stage of Beat, Pop, Folk music, Jazz and Blues, especially Blues, with Alexis Korner soon to become the resident band.

 

That was only a few years before at the ‘old Wheel’, but since then everything had changed. Cycling had faded as a core activity on my agenda of things I was really driven to do, replaced with the fervent All-nighter scene that had developed rapidly. The drugs would fit with cycling, but there wasn’t much time left to train at the level of commitment it required. And the ‘new Wheel’ scene at Whitworth Street was, incredibly, perhaps even better than that fantastic last year of 1965, at Brazennose Street – well, almost.

 

Although the Mod scene probably finished in London by the middle of 1964, it continued in Manchester, and in ‘66 fashions had stabilised on smart suits with everything. The American Army Parkas we wore when riding scooters only hid this fact. Smart was the dress code, and the way you did the smallest of things – like how your handkerchief was folded and placed in your suit jacket top pocket. The fact that you only fastened the top button of your Mohair threads denoted who you were, but only to those that knew the code. To the rest you became invisible – but smart invisible.

 

I looked around outside the Wimpy to see who was around, who was going, as the memory of those old cycling days faded. The rain was washing my scooter; it glinted with the reflection of passing bus headlights, traffic lights and the multicoloured wet-look neon signs mirrored from the surrounding buildings.

 

The mirrors on my scooter reflected back the same multicoloured signs inside the raindrops as they hit, then they drizzled down and streaked the side panels with wet coloured streamers of rainwater. The chrome side panels held off most of the rain, almost pushing it away as if by some anti-magnetic force. I let such thoughts fade – it was just the Brasso polish I had ‘Duraglited’ onto them before coming down here from Blackley.

 

Today was Saturday 14th of October, 1967. It was a special event tonight at the All-nighter, the biggest night there since the ‘Original’ Drifters had appeared at the end of April. The year had begun in a fantastic way for Manchester Soul Mods, with The Spellbinders on at our favourite All-nighter club, soon followed by Otis, and the Stax Tour at the Palace Theatre on Oxford Road. To celebrate the appearance tonight of De Walt (better known as Junior Walker), lots of us had promised to dig out our scooters for the occasion. By the end of 1966 scooters and the Mod scene had faded out in London, but not so much in Manchester where we had our own private Soul thing going.

 

The growling, unmistakable sound of high powered scooters ended in a slowing down, put- put-put-put noise as two immaculate GT 200s pulled up alongside my 250cc Durkopf. The guys got off, brushing water from their full-length leather overcoats. One leather was green, the other guy’s was dark purple, and double breasted. Only one Mod in Manchester had a purple coat like that; Sid from Langley. Sid was a tough guy. He was a scaffolder and bricklayer by day, and a pill pusher by night.

 

No one was inside the Wimpy; at least none of our lot. Others were irrelevant. We knew who we were and we could recognise each other at a glance. Mods had a certain look. If you were one, you knew it but you never let on. You never claimed to be a Mod. To say you were a Mod would immediately bring ridicule, and quick as you might have said it you’d be ‘out’. Such a status was earned and never openly claimed.

 

We rarely went inside the Wimpy; if we did it was for a coffee or a coke. No one in their right mind would have a hamburger before an All-nighter at the Wheel, unless you wanted to throw up on the dance floor. Some people threw up anyway, but as a result of all the dancing mixing their stomach bile with a concoction of pills and stomach acid. Bennys, Green and Clears, Black Bombers, Blueys and Dexys, and the saliva from constantly chewing Wrigley’s gum, all shaken and stirred by continuous dancing; it was a mix that could easily make you sick enough to vomit.

 

I was already partly ‘blocked’ or ‘coming up’; that was the descriptive phrase everyone used. Shivers like energy waves were going all through my body, especially up and down my spine. I wanted to move, to dance, to talk. Dancing or talking incessantly was what these pills did to you, and you could do it all night. You became ‘blocked’ after taking your ‘gear’, and after around twenty minutes had passed by, all of a sudden your perception changed; it was like coming up in a lift, but the lift was in your head. Adrenalin energy would pulse out from your stomach, all body aches and pains would just vanish. You felt a compulsion to move about, to dance, to speak. You couldn’t keep still, often moving in jerks, uncontrollable repetitive movements - things did speed up! Thoughts were rapid, speech too – and Speed appeared to affect the blokes more than the girls, with certain almost unmentionable side effects.

 

“Hiyyyaaa Dave, have you seen Angelo?” said Sid, looking sternly into my eyes as he unbuttoned his full-length leather, revealing his grey shiny Mohair suit below. “Are you going?”

 

“Definitely,” I answered, “it’s Junior Walker!”

 

“Get me a hot chocolate,” shouted Terry as he struggled to pull back his white GT 200 onto its stand. Terry was Sid’s sidekick; he was always in his shadow.

 

“Wimp,” breathed Sid under his breath, and he wasn’t referring to the hamburger bar. Then Sid gave Terry’s scooter a push from the front to get it on its stand.

 

Sid and I entered the Wimpy, with steam rising from our coats; mine was a parka with my grandma’s fox stole sewn across the shoulders. Long dead glass eyes stared out from my right shoulder.

 

We sat down and waited for the waitress; Terry then joined us. “Have you seen Angelo?” he said frantically as he sat down. “He’s got a load of our gear, and we need it for tonight.”

 

“Calm down,” said Sid, “he’s probably hiding it in a stash somewhere. He will be along, soon.” He turned, and mumbled into my ear:  “He better be...

 

I could see Terry was exhibiting the far away paranoid look that some members of our fraternity exhibited; it was due to being too many days in a row on Amphetamines. His lips were sore, very red and with a black outline highlighting them, tracing a sharp dark silhouette all around them, and his eyes were large like a ‘bush baby’s’ staring vacantly, unfocussed, around the room as he spoke.

 

“The bastard better had, he was at the match today. Georgie was fantastic with three goals, and that shitty Man City were total crap; Francis Lee, Colin Bell - what a set of twats! And Summerbee! Summerbee, Summerbeeeee; who the fucking hell is he?” he sang, churning out the current anti-City theme that everyone sang in the Stretford End.

 

“Did you go, Dave?” Sid asked me.

 

“Yeah,” I said, “fuckin’ brilliant! We should win the league again this year.”

 

“Fantastic, fan-bloody-tastic! You know Best is great, the greatest, but he needs Dennis. Without Dennis the entire team would be shit. If he doesn’t score, he’s the one who passes it to George for him to hit the back of the net.” Sid made this statement glassy eyed, adoringly.

 

We all sat silently then, reviewing the match; our eyes were open with blank stares as the rain ran down the outside of the windows. As we stared through them, we were seeing the footie earlier that day at Old Trafford superimposed on them, mentally lost in the visions of the game. We were brought back to the present moment with another raging outburst from Terry.

 

“Where the fuck is that twatting bastard with our gear?” he said, just as the waitress arrived at our table. She up picked the round imitation-tomato plastic ketchup ‘bottle’ and gave it a wipe, ignoring the abrasive swearing.

 

“Two coffees and one hot chocolate please,” we said in a chorus. Terry pretended to spray her with machine gun bullets from an imaginary Elliot Ness-style machine gun and shouted, “Al Capone’s Guns Don’t HHHArgue…..” trying to imitate Prince Buster. Then he started singing “Dum Dum Dum Dum Da Da Da Da,” clicking his fingers, swinging around on his seat.

 

“The fucker’s totally blocked,” said Sid.

 

Terry shouted, “Joke,” and proceeded to tell it without pausing: “A Chinese couple get divorced. She goes back to Peking… he goes back to WAN - KING… do you get it?”

 

Sid ignored Terry’s antics, and began to give me an explanation about their missing gear:

 

“We got 400 Green and Clears from your friend Angelo,” he said, putting a menacing tone on the word ‘friend’. After slightly stuttering a bit, he carried on.  “And we swapped them for cash in the bogs at the back of the Stretford End. He’s training to be the shop manager in a pharmacists. It’s great gear, and straight out the bottle, so to speak.”

 

After a pause, he frowned. “Funny name that, ‘Angelo’. He comes from Middleton, from a long line of Italian Ice-cream makers. There’s an Ice cream shop there in the woods, Alkrington Woods. Dave, you know him don’t you? Wasn’t he one of your cycling mates from years back?”

 

“Maybe,” I said, “Does he wear a green Tonic Mohair with a 23-inch centre vent?” I was purposely forgetting to tell them that I went to school with Angelo.

 

“That’s him,” retorted Sid, with a look that I took to mean he wasn’t having any of my vague reply.

 

“So why are you saying he’s got your stash?” I asked.

 

This seemed to upset Sid no end and he answered with an increased stutter: “B-b-b-because…. because, because…fucking because, we gave him most of it back again for safe keeping, to bring it here tonight. So right now at this very moment in time he has our gear and, and, and our cash.”

 

He stuttered again and then went on in a tirade. “That bastard Sergeant, what’s his fucking name? …Oh yeah, fucking Plummer – he’s after us, he frisks us on sight these days… so we took what we needed at the match. Then gave him, Angelo, back the rest and, and,” – Sid began stuttering once more – “A-a-a-and our fucking cash, for safe keeping!  He said he would meet us here half an hour ago, fucking bastarding rain. It took ages to get here and now we’re soaked and fucking frozen.”

 

“And late,” said Terry, stating the obvious.

What People Say About the Book

What people have said about the book: 

 
The insider story of the Manchester Soul Mods, their music, and their drugs and their clubs: The Twisted Wheel. A tale about a Soul music deejay that lost his girl and almost lost his mind. The story of the Manchester Wheelers is not about a bicycling club, its all about American Soul music in a Northern English town in the sixties; a gritty Northern Quadrophenia that charts the Genesis of what has now become the phenomenon of ‘Northern Soul’.

And it all began in MANCHESTER.

Reviews:

"Many thanks for the book; it was in the post waiting for me when I got home last night.
I decided to read a couple of chapters before going to sleep but ended up reading it all !  (did speed read  last few chapters).
Some of it made me laugh and some made me cry."
                                              Anon.
 

"Its amazing the memories chapter one awakens. The Cona, Sergeant Plummer's purple hearts drug squad, "blocked" the ever-changing vents and top jacket button...and the ability to swallow a dozen blueys in one gulp.
Cheers!
Enjoying the book...........  a flash back on every page".

                                              Harry from Sale
 

"I am too young to have visited Manchester and its All Night R&B and Soul sessions in the 1960’s.However, Dave, in the novel The Manchester Wheelers made me feel like I was actually there in 1964 at the Brazennose Street Twisted Wheel with its special atmosphere as in Dave’s own words “the sound of a wailing harmonica in that dark cellar had a magical effect on me”
The book is described as a novel, with all circumstances, people and events being entirely fictionalised. However, The Manchester Wheelers written in the first person, has the feel of an autobiography.
The author writes with an intimate knowledge of the subject, the places, the times and last but not least, the music, which only someone who has been deeply immersed in Mod culture and with a passion for the music bordering on the obsessive would know. The following passage from the book sums up the prevailing attitude of the Manchester ”In Crowd“..
”No-one claimed to be a Mod if they really were one-it would have been unacceptable. You had no need to claim what was self -evident to the ones that could determine such status”
The book begins in October 1967 with the narrator, Dave, a Manchester Soul Mod at the “new” Twisted Wheel on Whitworth Street. Junior Walker is on live and Dave has the lot. A gorgeous girlfriend, a fantastic record collection and he is a member of the elite Wheel crowd. Girlfriend trouble and non stop drug abuse along with changes in the Scene that he holds so dear cause Dave to examine his own life and the direction it is taking.
The results of this inward examination and the problems that caused it will be strikingly familiar to many who have followed a similar Soul path and in reading the story of Dave and The Manchester Wheelers they will find many parallels with their own Soul experience.
I thoroughly enjoyed the book and read all 300 pages in two days. I am fascinated by the period, its styles, attitudes and music. The Manchester Wheelers transported me to Sixties Manchester which I now feel I understand a lot better.
File The Manchester Wheelers on your bookcase next to CENtral 1179 The Story of Manchesters Twisted Wheel Club by Keith Rylatt and Phil Scott and Brummels Last Riff by Alan Fletcher"

                                              Mark “Oggie” Orridge
                                              Originally from Soul-Source.co.uk
 

"Enjoyed every line of it, brought back so many memories of how Manchester was back then, not just the wheel.Things like the whit walks and proddy dogs,and especially fancying Julie Driscoll. I was still buying anything on vinyl 20 years later, even if she was just a backing singer!
I have recommended it to a few mates already, as the best book I have ever read on the genre.
Thanks for the ray of sunlight you cast on those years!"
                                              Dave
  

"A great book written on two levels;
As a biography this book tells you all you want to know about how mods thought and postured, both within their group and to the outside world. Dave’s reminiscences are perfect with the exception of Chapter 12 – Night train , when he goes off on his own Quadrophenic trip and is in danger of losing the reader, but this is recovered with some great memories of life as an apprentice engineering mod in the ‘60s.
As a reference book there’s a great depth of history of the Manchester scene from the clubs, the music, the lifestyle and the people. Anyone who can recall Red Hoffman and The Measles has an encyclopaedic memory and proves he was there !
Get it – Read it – Relive it."
                                              Mel
 


"The Manchester Wheelers a book about the Twisted Wheel in the 1960s
Manchester is famous for its music scene and night clubs, the most famous of which was the Hacienda. But what was it like in the 60s and 70s, when people danced to American soul music and the city's most famous - or infamous - club was the Twisted Wheel? The Manchester Wheelers tells the grim and gritty story of the young people who went to the 'Wheel'.
The Manchester Wheelers tells the story of the crazy characters, the rival gangs, the shady geezers and the groovy girls and who were part of the soul mod scene in Manchester. It's presented in the form of a novel but is based on real events. Names of characters have been changed.
Beware, some of the content is adult in nature and there is a lot of bad language as well as detailed descriptions of drug use. But that's how it was. Nothing is left out, so prepare to be shocked.
The Twisted Wheel opened in the 1960s in a basement in Brazennose Street, close to Albert Square. Later it moved to Whitworth Street next to the Old Fire Station and Piccadilly railway station. The Twisted Wheel continues today as a regular club night.
What was it that motivated the soul mods of Manchester? Youthful energy of course, powered by drugs, but most of all it was the music, and that music was Black American soul music.
For some reason the raw sound of often obscure US artists found an enthusiastic following in England, especially northern England. This rougher, harder edged style of sixties soul became known as Northern Soul.
For me soul was the signature music of Manchester in the late 60s and 70s. A number of famous soul singers played in Manchester, including Junior Walker, whose concert is described in the book.
I would love to have gone to the Twisted Wheel club in the 1960s but I was too young. At least through The Manchester Wheelers I can experience it in my imagination, and recreate an impression of life in a Manchester very different to the one that emerged in subsequent decades.
The Manchester Wheelers, A northern quadrophenia, is described on the cover as 'A Book by Dave' and is available from this site".
                                              Written by Aidan O'Rourke
                                              Taken from www.aidan.co.uk

 

 

A review by Iain McCartney
published in 'United We Stand'

Please click on image to the left to read the review!


 

 

BOOK OUTLINE

Outside London Mods flourished in many towns and cities in the UK. Most if not all were followers of the London trends and therefore always behind the curve of styles and events. The single location that did become a trendsetting place was Manchester and the location in the city that was the fulcrum of the Mods was the Twisted Wheel. At the first ‘Wheel’ club in Brazennose Street (not far from the Town Hall) the Manchester Mod scene was going full tilt in 1964 and at other clubs too: Oasis, Jungfrau, Manchester Cavern and others. In 1965 and 66 when the Mod scene was practically over in London, the scene in Manchester continued alongside a strong soul music adoration. This was mainly due to the Wheel D.J. Roger Eagle’s playlist; he was not a Mod role model but did have a knack in unearthing, importing and knowing what excited his soul appreciative audience. The Mods in the city faded out at other clubs but gathered and coalesced into ‘Soul Mods’ at the Wheel. Smart appearance was the order of the day – err the All-nighter. And they were on parade every Saturday night. Even in 1965 a trickle of Soul Mods from around the nation were travelling on Saturdays to the club, by 1966 it was a torrent. The Wheel was the Mecca for this burgeoning religion of Soul and local Soul Mods in the city attended ‘services’ four or five times a week at the club. The only other sanctified location for Manchester Soul Mods was another club: the Blue Note it was near to the second location of the Wheel, which had moved to Whitworth Street in September of 1966. And at the Blue Note the new D.J was the Wheel’s own legendary Roger Eagle. More importantly his record collection had moved with him.

The All-nighters at the Wheel in the nineteen sixties are famous for the amazing Stateside acts that appeared there live. However of at least equal importance were the vinyl records on the twin Garrard decks played by the subsequent D.J’s behind a wall of bicycle wheels.

Amphetamines powered the all night dancing, but unlike the myths surrounding all night dancing at the Wheel it was in fact very much subdued; most often just shuffling about on the same spot due to the crush of packed in All-nighter goers. It was later (years later) at Wigan Casino that ‘Northern Soulers’ had space to develop energetic dancing to our records and annoyingly claiming many of them as their own discoveries.

Drugs; large doses of amphetamines were taken by most of the Soul Mods for the All-nighters and then some more, at daily and evening sessions at other Manchester clubs on the Sunday after. It all had to end. The club itself was targeted as the epicentre of drug abuse and was closed down in 1971. A few years before that the originating Soul Mod crowd had retired, no one could keep up such a regime for more than a few years without physical and mental aberrations. Regardless, a great time was had by most and the vast majority survived to have very fond memories of that frenetic period of the original Mod Soul scene that today is acknowledged as the genesis of ‘Northern Soul.’

It is against this backdrop that the novel: The Manchester Wheelers is set. It pulls no punches in its descriptions of amphetamine overload. It describes a D.J’s struggle to control the inner automatic pilot of his mind, whilst his world crumbles around him after his girlfriend leaves him and his Soul club goes Ska.